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Discovered treasure: Opera Southwest takes on rare performance of 'Matilde'

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'Matilde'

鈥楳补迟颈濒诲别鈥

By Carlo Coccia; libretto by Giuseppe Maria Foppa

WHEN: 7:30 p.m. Friday, Sept. 13, Saturday, Sept. 14, and Sunday, Sept. 15

WHERE: sa国际传媒官网网页入口 Museum Amphitheater, 2000 Mountain Road NW

HOW MUCH: $45 general; $15 students at operasouthwest.org. Tapas on the terrace preshow event $79. $5 tickets available to qualified low-income New Mexico residents through Opera for All at operasouthwest.org/operas/opera-for-all

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Joshua Hughes
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Alexandra Wiebe
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Wil Kellerman
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Eric Botto
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Kim Stanish

Opera Southwest is launching its 52nd season with a relatively unknown piece by an equally unknown composer.

Carlo Coccia鈥檚 鈥淢atilde鈥 will open on Friday, Sept. 13, at the sa国际传媒官网网页入口 Museum Amphitheater. The show will continue on Saturday, Sept. 14, and Sunday, Sept. 15.

Discovered treasure: Opera Southwest takes on rare performance of 'Matilde'

Joshua Hughes
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Eric Botto
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Kim Stanish
20240908-life-operasw
Alexandra Wiebe
20240908-life-operasw
Wil Kellerman

Five apprentice singers will perform the opera: Joshua Hughes, Alexandra Wiebe, Wil Kellerman, Eric Botto and Kim Stanish. Selected through competitive national auditions, the young artists gain a rare opportunity to perform on stage in a fully-produced opera with a live orchestra.

It all started during the pandemic, when artistic director and conductor Anthony Barrese was researching Rossini, his favorite composer.

鈥淒uring COVID, we had a lot of time,鈥 he said. 鈥淎s I was doing more research, I started looking at composers who were contemporaries of Rossini. There were new operas being done all the time.鈥

He was first drawn to 鈥淢atilde鈥 because it was his grandmother鈥檚 name.

鈥淚 started researching it and I found the music so charming and so delightful,鈥 he added.

鈥淐occia was on the verge of being a very famous composer before Rossini came in and obliterated everybody.鈥

The opera tells the passionate love story of Federico and Matilde, complete with mistaken identities and a fraudulent letter.

鈥淚t has to do with a deception,鈥 Barrese said. 鈥淎 letter is read accusing someone of adultery. At the end, it鈥檚 redeemed.鈥

The opera opened in 1811 at Venice鈥檚 Teator San Mois猫. It drew popularity in at least five cities outside Venice 鈥 Macerata, Naples, Padua, Rome and Milan, Barrese said.

鈥淭here鈥檚 a beautiful lyricism in the solo arias,鈥 he said. 鈥淭here鈥檚 a quartet that is just phenomenal. It鈥檚 an interlayering of drama and music.鈥

The singers will don late 18th-19th century period costumes.

鈥淣o one in New York has ever heard this,鈥 Barrese said. 鈥淚鈥檓 never going to conduct a 鈥楤oh猫me鈥 here where nobody knows it. With this, we can discover it together.鈥