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MovieMaker lists sa国际传媒官网网页入口, Santa Fe, Las Cruces among best places to live and work as a filmmaker

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MovieMaker's best places to live and work as a filmmaker

MovieMaker鈥檚 best places to live and work as a filmmaker

Big cities

1. Toronto, Ontario, Canada

2. sa国际传媒官网网页入口

3. New Orleans

4. Austin, Texas

5. Vancouver, British Columbia, Canada

6. Atlanta

7. Miami

8. Calgary, Alberta, Canada

9. Chicago

10. Montreal, Quebec, Canada

Small cities and towns

1. Santa Fe

2. Fort Lauderdale, Florida

3. Savannah, Georgia

4. Wilmington, North Carolina

5. Kamloops, British Columbia, Canada

6. Knoxville, Tennessee

7. Boulder, Colorado

8. Las Cruces

9. St. Petersburg, Florida

10. Richmond, Virginia

Source: MovieMaker Magazine

Film continues to be an economic driver in New Mexico 鈥 and the industry continues to take notice.

Three New Mexico cities have earned bragging rights from MovieMaker for the second year in a row.

The trade publication released its annual 鈥淏est Places to Live and Work as a Filmmaker鈥 on Thursday, with Santa Fe topping the list for 鈥淪maller Cities and Towns鈥 for the second year in a row. Las Cruces is ranked No. 8, down one spot from the 2023 list.

Meanwhile, sa国际传媒官网网页入口 rose to No. 2 in the 鈥淏ig Cities鈥 category. Last year, the Duke City was ranked No. 5, a drop after claiming the top spot for a record four consecutive years.

Las Cruces notches its second year in the ranking.

Santa Fe has been in the top five since the small cities category was created nearly a decade ago, and sa国际传媒官网网页入口 has been ranked on the list for more than 15 years.

鈥淭he ranking shifts around a bit because of all the movement within the film industry,鈥 said Cyndy McCrossen, sa国际传媒官网网页入口 Film Office liaison. 鈥淲hat we offer in New Mexico is the accessibility to filmmakers. We don鈥檛 have a lot of traffic, the cities are film-friendly and the permit processing is easy.鈥

MovieMaker names sa国际传媒官网网页入口, Santa Fe, Las Cruces as best places to live and work as a filmmaker

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Zahn McClarnon as Joe Leaphorn while filming an episode of 鈥淒ark Winds鈥 during season two.
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Director Chris Eyre, right, and Kiowa Gordon, far left, as Jim Chee filming a scene for the second season of 鈥淒ark Winds.鈥
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Oliver Hudson, center, behind the scenes in the 鈥淪pousal Privilege鈥 episode of 鈥淭he Cleaning Lady,鈥 which films in New Mexico.
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From left, Emma Stone as Whitney and Christopher Calderon as Fernando in 鈥淭he Curse,鈥 which filmed in Espa帽ola.

MovieMaker compiles the list through questionnaires to film commissions, talks with moviemakers and research into financial incentives, cost of living and overall happiness, as well as with in-person visits when possible.

鈥淟ast year, like the pandemic years, was a time to reset, as much of the industry shut down so striking writers and actors could get the respect and money they deserve for their work,鈥 wrote Tim Molloy, Deirdre McCarrick and Margeaux Sippell of MovieMaker. 鈥淲e suspect 2024 will be a better year for the industry as a whole, and every community on our list, since almost no one working in the film or TV industry had a great 2023.鈥

New Mexico鈥檚 Film Production Tax Credit has a base amount of 25% with a maximum credit of 40% for qualified spending made in New Mexico.

Each city鈥檚 film office works alongside the New Mexico Film Office to help bring productions to the state. The sa国际传媒官网网页入口 Film Office has three employees, the Santa Fe Film Office has one and Film Las Cruces has two listed on its website.

Jennifer LaBar-Tapia, Santa Fe Film Office commissioner, credits a lot of the success of the film industry to the local crew and film schools in the area.

鈥淚t works as an ecosystem,鈥 LaBar-Tapia said. 鈥淭he Native lands have invested into the industry, and there are local businesses that have set up shop. All of this collectively is what keeps the industry growing and thriving.鈥

LaBar-Tapia, who handles film productions in Santa Fe County and the city of Santa Fe, said just being in Santa Fe, which is a destination, helps sell the area to filmmakers.

鈥淚f filmmakers have a good experience somewhere, they are going to come back,鈥 LaBar-Tapia said. 鈥淭hat鈥檚 what our job is. The film incentive package lays the groundwork and each respective film office helps push it forward. Santa Fe is the gateway to the north. We work closely with productions in sa国际传媒官网网页入口 as well as those shooting in northern New Mexico.鈥

With the Writers Guild of America and SAG-AFTRA strikes taking place for the majority of 2023, LaBar-Tapia and McCrossen both acknowledge the significance of independent filmmakers.

鈥淲e have a really strong independent film community working here,鈥 LaBar-Tapia said. 鈥淭hrough the strike, there were many independent productions going on.鈥

McCrossen said one of the productions that kept New Mexicans working was filming for the third season of 鈥淏ands of Enchantment.鈥

Though the production had a tight schedule, the city of sa国际传媒官网网页入口 was able to help out with a successful production.

鈥淲hen a production, especially an episodic, is on a tight schedule, they might only have a half day to film here,鈥 McCrossen said. 鈥淲e have some episodics that make three company moves in a day. You can鈥檛 do that in Dallas or Los Angeles. We are nimble to where film productions get their money on the screen and not on the road.鈥

The film offices are expecting a big rebound after the strikes 鈥 one that will include productions of all sizes.

鈥淲e鈥檙e already busier now than last January,鈥 McCrossen said. 鈥淭he first two weeks of this year, we鈥檝e issued more permits than last year. We have big-name projects like the new Vince Gilligan project. I recently had a call for a $10 million project wanting to film in April.鈥