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THEATER | ALBUQUERQUE

Fusion’s 20th annual festival, The Seven, presents seven short plays on ‘Heart of the Matter’

Mary Donnet Johnson wins the Bradford Gromelski Jury Award for ‘The Sound of Light’

From left, Jacqueline Reid and Rachel Wiseman star in “Sex, Lies and Styrofoam” by Arianna Rose in Fusion’s production of The Seven in 2025. Reid will star in Mary Donnet Johnson’s “The Sound of Light” at this year’s festival.
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The Seven: ‘The Heart of the Matter’

WHEN: 7 p.m. Thursday, June 4, and Friday, June 5; 2 and 7 p.m. Saturday, June 6; 2 p.m. Sunday, June 7

WHERE: Fusion | The Cell, 708 First St. NW

HOW MUCH: $20-40, plus fees, at



Theater lovers can experience seven world-premiere short plays at Fusion Theatre Company’s short works festival, The Seven, starting Thursday, June 4. This year’s theme is “The Heart of the Matter.”

“What’s incredibly exciting about this year’s version of The Seven is, it’s our 20th anniversary,” Dennis Gromelski, Fusion co-founder, said. “It was something conceived at the local level and has now spread nationally and internationally. This year we received submissions from, I believe, 38 states and six countries.”

A 12-member jury of theater professionals blind-read the scripts, and the seven highest-scoring ones are produced.

Laurie Thomas will present her play, "The Hail Mary," at The Seven, 2026. Thomas is also a co-founder of Fusion.

One of this year’s winners was saʴýҳ’s own Laurie Thomas. A co-founder of Fusion who has been involved in The Seven on the administrative side since its inception, Thomas said this was the first time she submitted her own work to the festival.

“I’d always been a little shy or reserved about doing that, because I’m so involved in Fusion,” Thomas said. “I always thought, ‘Oh my God, they see and hear enough of me!’”

Thomas’ two-person play, “The Hail Mary,” centers on a caregiver and a resident in an assisted living facility.

“It appears, at least at the beginning of the play, that they have a very adversarial relationship. But, as the play moves along, we realize that there’s a surprising sense of understanding between the two of them,” Thomas said. “Then, AI rears its head in the script as a sort of corporate tool that’s being used in the facility for cost savings and efficiency.”

Thomas said the “Heart of the Matter” theme made her think about what care and compassion mean in an assisted living context and how bureaucratic systems can sometimes get in the way of compassionate, human-centered caregiving. She drew upon her own experiences navigating the health care system on behalf of her parents.

Playwright Mary Donnet Johnson, winner of this year's Bradford Gromelski Jury Award, will present "The Sound of Light" at The Seven, 2026.

“I had a really trying scenario, in which my parents were in a facility for about three years, and that also included the COVID shutdown,” Thomas said. “… So, I would say that I know that system intimately.”

Gromelski said each playwright approached the theme differently, and the winning short plays run the gamut from comedy to drama, and one-on-one conversations to ensemble pieces.

“This year, in particular, I was really thrilled with how many different angles the playwrights took to approach the subject matter,” he said.

The overall winner and recipient of the Bradford Gromelski Jury Award is Mary Donnet Johnson, a playwright based in Knoxville, Tennessee. Her play, “The Sound of Light,” is an extended monologue by a woman with a severely autistic child. Like Thomas, Donnet Johnson drew on her own life experience.

“My son — he’s a grown man now; he just turned 31 — is severely autistic, which, in his case, mainly manifests in the fact that he cannot reliably speak, which in and of itself is a totally weird thing to happen to me, because I was an actor, and I’m a writer. I really love words … But he’s delightful, and he’s really, really smart,” Donnet Johnson said, “and just recently we’ve been doing a protocol that has been unlocking some of his speech. It’s been incredibly enlightening. And I am so grateful that, even at this age, we’re getting a chance to know him.”

Donnet Johnson had originally conceived of the play as a far more elaborate production with multiple characters, musicians and even an aerialist. But she decided to pare it down to submit to The Seven, focusing on the main character’s transformation.

“She comes to an epiphany by merely actively observing and embracing who (her son) really is,” she said.

Jacqueline Reid will perform the solo role under the direction of Gil Lazier.

The other five winning plays are “The Force of Attraction” by Ron Davies of Ottawa, Canada; “The July Effect” by Andrea Trotenberg of Highland Park, Illinois; “Do Not, I Repeat, Do Not Hang that Mistletoe Tonight” by Mike Byham of Southlake, Texas; “The Dark Cloud: A Fable” by James W. Perry of Manteca, California; and “All Roads Lead to Prospect Park” by Dan Perry of Los Angeles.

Audiences will get to see all seven 10-minute plays performed live, and many of the playwrights will be in attendance.

“It’s a joyful time and a great vibe,” Gromelski said. “And you know what else this is? It’s an incredible sampler. Even if you don’t like theater, or you don’t know if you like theater, you can come see these pieces, and I guarantee you, you’re going to resonate with five of the seven, without a doubt. If something’s not to your taste, don’t worry. In 10 minutes, you’ll get another flavor.”

In addition to The Seven, Fusion will host a staged reading at 7 p.m. Monday, June 8, of what they call “The Second Seven” — works that finished in eighth through 14th place. Then, at 7 p.m. Friday, June 12, they will present a staged reading of “The New Mexico Seven” — the top seven works out of the 40 submitted by New Mexico-based playwrights.

Gromelski also said that lack of funds should not keep anyone away.

“Our normal ticketing prices are 20 bucks for students and 40 for general admission, but we offer pay-what-you-wish ticketing at every performance we do at Fusion, thanks to the city of saʴýҳ,” Gromelski said. “So, this really is open to anyone. Economics are not a barrier to attendance.”

Logan Royce Beitmen is an arts writer for the saʴýҳ. He covers visual art, music, fashion, theater and more. Reach him at lbeitmen@abqjournal.com or on Instagram at @loganroycebeitmen.