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Filmmaker and TV producer Amanda Erickson wanted to tell the shocking story of murdered and missing Indigenous women in a way that made an impact, that might actually make people in authority deal more effectively with this most awful of realities.

According to data cited by Erickson, murder is the third-leading cause of death among Indigenous women. Indigenous women confront murder rates that are 10 times the national average.

But often these cases fall off the radar. Erickson noted that of 5,712 murdered and missing Indigenous women (MMIW) cases reported in 2016, only 116 were logged by the Department of Justice.

Erickson, who is of Apache heritage on her father鈥檚 side, made 鈥淪he Cried That Day,鈥� a documentary film that delves into not only the stories of women who are victims, but also accounts of courageous women committed to getting justice for their daughters, sisters, cousins, friends, strangers.

鈥淢y hope is that the film reminds people there is so much work to be done,鈥� Erickson said Monday during an interview in a Nob Hill coffee shop. 鈥淲e need to ask questions, to hold people accountable 鈥� not just those who have committed crimes but also district attorneys and different government agencies.鈥�

Erickson focused her film in New Mexico because sa国际传媒官网网页入口 and Gallup are among the top 10 cities with MMIW cases, but also because Indigenous women in the state are dedicated to battling the situation.

鈥淭here鈥檚 a kind of energy I felt here from Native women that just kind of took my heart,鈥� she said.

But she found the soul of her film鈥檚 narrative in 2019 when she heard Christine Means tell the story of her sister to the first meeting of the New Mexico Murdered and Missing Indigenous Women and Relatives Task Force. Means鈥� sister, Dione Thomas, died after she was found bloody and unconscious in a Gallup motel room.

鈥淎s soon as I heard (Means) speak, I was blown away,鈥� Erickson said. 鈥淪he spoke in a way you were instantly drawn to her. She spoke with conviction, she was emotional, powerful. There was a lot of anger there, too.鈥�

Open and vulnerable鈥淪he Cried That Day鈥� is not complete. Erickson said it is in post-production, the final cut stage.

The film鈥檚 budget is $345,968 and $143,103 has yet to be raised. A fundraiser is set for 6-8 p.m. Thursday at the Harwood Art Center, 1114 Seventh NW.

Fundraiser hosts are LaDonna Harris, Comanche social activist and president of Americans for Indian Opportunity; Laura Harris, AIO executive director; and Brian Col贸n, former New Mexico state auditor and former chairman of the state Democratic Party.

American Indian actor and film producer Wes Studi is expected to attend the fundraiser as a special guest.

Erickson said a trailer of the documentary will be shown at Thursday鈥檚 event. Her goal is to have the film completed by September.

She intends to show a 90-minute version at film festivals and shorter versions, less than an hour, on public television. She would also like to show it at universities and high schools.

Dione Thomas died in 2015. The cause of her death remains unresolved. No one had been charged in the case.

Erickson said trying to get answers in cases such as Thomas鈥� is frustrating.

鈥淭here is momentum for a second, then stalling and then starting again from scratch,鈥� she said. 鈥�(People are told) you need to start with this jurisdiction, this department. (It gets to) who do I even ask questions to. It weighs on you 鈥� just trying to get answers.鈥�

Erickson said there is a film clip of Thomas in the movie.

鈥淪he is at a family party celebrating Christine鈥檚 college graduation,鈥� Erickson said. 鈥淪he gives a speech. She talked about how proud she was of Christine. She鈥檚 just funny and bright.鈥�

She said Thomas鈥� family was completely open and completely vulnerable during the making of the documentary.

鈥淥ne of the first filmings with the family was in Gallup while they were going through family pictures and laughing,鈥� Erickson said. But the scene turns somber and leads to the dialogue that gives the documentary its title.

鈥淲e lost her. We did,鈥� Debbie Begay, Thomas鈥� mother, says in the documentary. 鈥淏efore we ever really lost her, we lost her.鈥�

Begay then talks about the last time she saw Thomas.

鈥淒ione never cried,鈥� she said. 鈥淏ut she cried that day.鈥�

Transformative

Erickson, 43, was born in Phoenix, but she grew up in Massachusetts, a long way from her father and her Apache heritage.

鈥淧eople would say, 鈥榃hat are you?鈥欌�� she said. 鈥淚 would say, 鈥業鈥檓 Apache, I鈥檓 Native.鈥� But I didn鈥檛 know what that meant.鈥�

She worked as a production assistant on many and varied daytime TV talk programs and later did production for the Travel Channel, National Geographic and other similar channels. When she was about 35, she found herself in the same part of the country as her father and reconnected with him.

鈥淗e took me to a ceremony on San Carlos (Apache reservation in Arizona),鈥� she said. 鈥淚 could hear people singing even before we got there. Coming over the hill, I remember seeing the largest bonfire I had ever seen. He said, 鈥榊ou are home. You are related to everyone here.鈥欌��

She said the experience was transformative.

鈥淚 left a different person,鈥� she said. 鈥淚 felt a need to contribute to my (Native) community. All I had ever been was a TV producer.鈥�

So, she made a documentary called 鈥淪he Cried That Day.鈥�