MUSIC | ALBUQUERQUE
‘From darkness to light’: NMPhil to perform Schumann, Mahler to close out 15th-anniversary season
By John Miller
Journal Staff Writer
New Mexico Philharmonic Music Director Roberto Minczuk says music is a lot like food.
“You don’t really need to be an expert to appreciate it,” he said.
The state’s largest professional classical symphony will close out its 15th anniversary season with “Schumann and Mahler’s Fifth,” a classical pairing meant to emblematize the change of seasons — “from darkness to light.”
Minczuk, acclaimed violinist Karen Gomyo and an accompanying orchestra will take the stage Saturday, May 16, as Gomyo performs what Minczuk said is one of Robert Schumman’s most emotional, lyrical, personal and controversial works.
Schumann’s Violin Concerto remained largely unknown for more than 80 years after the German composer wrote it in 1853 amidst a steep mental decline, according to the Scottish Chamber Orchestra, leading to a mixed reception by some of his contemporaries.
That long-suppressed work will be in the hands of “one of the best violinists of her generation,” Minczuk said of Gomyo, who was born in Tokyo and began her musical career in Montréal and New York.
A graduate of The Juilliard School, Indiana University Jacobs School of Music and New England Conservatory of Music, Gomyo has debuted with what are considered some of the world’s great symphony orchestras — recently including the Gewandhausorchester Leipzig in Germany and the Tokyo Metropolitan Orchestra.
Following Gomyo’s performance of Schumann’s long-lost classic, NMPhil will continue its chronological performance of Gustav Mahler’s symphonies. The philharmonic opened its 15th season with Mahler’s Fourth Symphony in October.
According to Carnegie Hall, Mahler’s Fifth marks the late 19th century, early 20th century composer’s first in a “trio of purely orchestral symphonies.”
“It’s very aggressive,” Minczuk said. “He starts with the ‘Funeral March,’ and then he develops the symphony until he finally gets to the Fourth Movement, which is the famous Adagietto — one of the most beautiful pieces of music known because it’s so sublime and it’s just so beautiful.”
That famous section of Mahler’s seminal work is widely believed to have been dedicated to the composer’s wife, Alma, “and her reaction didn’t disappoint,” Carnegie Hall writes.
Mahler, who lived primarily in Vienna from 1860-1911, follows in the tradition of Joseph Haydn, Wolfgang Mozart, Ludwig van Beethoven and Johannes Brahms using much larger orchestras, for which he composed pieces that can last well over an hour.
“His symphonies are just the grandest symphonies that were ever composed,” Minczuk said. “For an orchestra, it’s always exciting to play Mahler, because he’s the one that challenges the orchestra the most. His writing for the French horns is as complex as his writing for the violins. He writes for all sections in a very, very demanding way, technically.”
Minczuk knows Mahler’s work from both sides of the stage.
He was born in 1967 as one of eight children in São Paulo, Brazil, where his father was conductor of the São Paulo Military police choir and music minister at the family’s local church.
“We all studied music,” Minczuk said. “Very, very religious, very much involved with the church through music, and very strict. You know, my dad was very demanding — countless hours of practicing and all that, for which I’m very grateful that he instilled that discipline.”
Minczuk and three other of his siblings went on to become professional musicians. When he was just 14 years old, Minczuk moved from Brazil to New York on a full-ride scholarship to The Juilliard School, where he studied the French horn and conducting.
Before taking on the role of music director of the New Mexico Philharmonic in 2017, Minczuk held roles at many esteemed orchestras throughout the world, notably the Leipzig Gewandhaus Orchestra, where he studied under the late and famed conductor Kurt Masur.
“He became a mentor to me,” Minczuk said of his teacher. “Later, he became music director of the New York Philharmonic, where I became his assistant and associate conductor.
“I’ve always been very passionate about music and conducting,” Minczuk added, “and it’s been already almost 35 years of a career as a conductor. In New Mexico alone, it has been nine years that I’ve been music director.”
Great music, he said — from pop to classical — stands the test of time if it appeals to “our feelings, to our souls, but also to our brains, even without understanding it completely.”