MUSIC | ALBUQUERQUE
Pulling out all the stops: American Guild of Organists’ concert includes new works by local composers
‘Organ Plus!’ to feature world premiere of Frederick Frahm’s ‘San Miguel Chapel’
The University of New Mexico’s Keller Hall will reverberate with pipe organ music on Saturday, May 23, when four organists, 11 string players and soprano Jordyn Tatum present a free concert of organ-forward music, spanning more than three centuries.
New Mexico-based composers Frederick Frahm and James Yeager co-curated the concert under the aegis of the American Guild of Organists’ saʴýҳ chapter. Starting with a concerto by the 17th-century composer Arcangelo Corelli and ending with an 18th-century concerto by Michel Corrette, the concert features more recent compositions, as well, including Yeager’s 2025 “Birches for Organ and Strings” and the world premiere of Frahm’s 2025 “San Miguel Chapel.”
“We’re trying to … provide people with an opportunity to hear a really extraordinary instrument in an extraordinary hall, and to hear … our New Mexican organist stars, who live and work here in central New Mexico,” Yeager said.
The four featured organists are Stephen Brodsky-Montoya, Edmund Connolly, David Solem and Maxine Thévenot.
But the real star of the show is the pipe organ itself, Keller Hall’s 1967 Holtkamp organ — one of the largest in the state. The organ boasts three keyboards, a 32-note pedalboard, 42 stops and a whopping 2,741 pipes.
“Each stop has a different, particular sound, and each stop has one pipe for every note that’s on the keyboard or in the pedals … which is how we get to 2,741 pipes. It’s all those different sound combinations,” Yeager said. “Many people say the organ is like an orchestra, although, in some ways, it’s really the first synthesizer.”
Yeager’s “Birches for Organ and Strings” was inspired by the 1915 poem, “Birches,” by Robert Frost, which begins, “When I see birches bend to left and right / Across the lines of straighter darker trees, / I like to think some boy’s been swinging them.”
“I heard a recording of Frost reading it, and it’s just so touching, because he’s an older guy talking about his youth — about childhood and growing up,” Yeager said.
In Yeager’s composition, the boy is represented by the organ and the birch trees by the strings. The poem describes the trees clicking and cracking as the ice on them starts to thaw, which Yeager represents by having the string section hit the wooden part of their bow against their instrument — a technique known as col legno (with the wood).
“The instruments are clacking their wood against the strings, making different pitches and sounds, which, to me, evokes the image of those birch trees with the ice cracking from them,” he said.
Frahm’s “San Miguel Chapel” was inspired by the 1610 Spanish colonial mission of the same name in Santa Fe.
“When I first listened to the piece, I told (Frahm), ‘I can actually imagine the building standing there in the blue New Mexico sky, and the quality of timelessness there,’” Yeager said.
The American Guild of Organists, founded in 1896, is a nationwide organization with over 10,000 members. Yeager said the saʴýҳ chapter, which serves northern and central New Mexico, has about 40 members.
“One of the things our local guild does is we provide recitals like this,” Yeager said. “But that’s not the main thing. We do educational events, (including) … ‘Pedals, Pipes and Pizza,’ which is aimed at children of elementary and even junior high age — even if they’ve had no background at all in music or in organ. … We invite them to come, and everybody gets a chance to try out the instrument, learn about it and ask all the questions they want to ask. And, of course, there’s pizza.”
Yeager anticipates a robust turnout for the Saturday, May 23, concert, since it’s free, and advises people to arrive early to get the best seats.
“The hall seats 275 people, and we’re hoping it’s absolutely packed, so come early,” he said.
Logan Royce Beitmen is an arts writer for the saʴýҳ. He covers visual art, music, fashion, theater and more. Reach him at lbeitmen@abqjournal.com or on Instagram at .